The pub is empty apart from a young couple sitting at the other end of the room. It’s a grey afternoon, boring beyond belief, X tells me. The publican stands behind the bar staring into space. It’s like being trapped in a Hopper painting, says X. He tells me he’s embarrassed for the young couple, and the publican too, for that matter, embarrassed by what awaits them, what already engulfs them. And for us too, he says, he’s embarrassed on behalf of all of us. He strains his ears to catch snatches of the couple’s conversation, and it’s as he thought, he says. It doesn’t inspire confidence. They’re talking about the girl’s parents, it seems the mother has a skin problem, but it doesn’t matter, he says, and it certainly doesn’t appear to matter to the young man. Why am I even curious, where does curiosity come from? he asks me. The girl looks flat-out bored now, and who can blame her? he says. The man looks too simple to be truly bored, he says, bored deep down, but all the same he clearly is. They’ve stopped talking now, they’re looking down at their mobiles, which are lying on the table. She sits back and plays with her hair. He sips from his drink. They say a few words that make no difference to anything, X tells me. He says he hates it when people look bored, but even more when they say they’re bored, that’s when the embarrassment becomes most acute, he says. People should have the decency not to mention it, he says. After all there’s nothing anyone can do about it, he tells me, this embarrassing tedium. He hopes she doesn’t mention it, he says, women are always saying embarrassing things. X can’t help her any more than her boyfriend can, he says, he has no reason to be here himself, he’s just trying to get drunk in peace, please don’t say it, he says, let’s just try to ignore it in peace. How will this young couple fight against what awaits them, he asks me, against what already surrounds them? They’ll try but they can’t, he says, that’s what’s so embarrassing and so sad, the tepid life that awaits them, that they’re already living, and the fact that there’s nothing he can or wants to do about it, even if God forbid he were asked. He suddenly feels disgusted, he says, we have to leave. We have to go, he says, gulping his pint. Imagine if the simpleton started talking to us, he says, what if the publican comes over and wants to chat, he’s looking at us now as if he’s wondering why we’re here, I can’t stand it! Holidays are hard work, he says as we leave.
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Everyone carries a room about inside him. This fact can even be proved by means of the sense of hearing. If someone walks fast and one pricks up one's ears and listens, say in the night, when everything round about is quiet, one hears, for instance, the rattling of a mirror not quite firmly fastened to the wall.
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Kafka
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