Monthly Archives: January 2011

Man up

You’re too much in your own head, I tell X, and you’re dragging me in there with you. Why do you think I hate you? I wouldn’t care if it was just you, but no way I’m ending up like you. Why don’t you open up a bit, I say, what are you afraid of? You think you don’t need to? You think you’re better than the rest of us? They all know you’re not, I say, they’ve told me. Man up, I say, get serious! Hypocrite, he says.

Doomed

All my efforts to understand were doomed from the start, I tell X. My words are corpses, cadavers! At last you talk sense, says X. All I do is kill when I should be living! I say. This scribbling I do, this tapping, it’s like a kind of grieving for what I’m killing. No you lost me there, he says. You were right the first time, you’re doomed, we both are, they got us and your scribbling is nothing, literally nothing, just something they let you do until they can be bothered to come for us. It’s about time you faced the facts. Right now they’re probably on their lunch break, he says, or sitting at their CCTV screens laughing at us, or shaking their heads wondering why they’re wasting their time with us. If they’re even there, he says, there’s probably not even anyone there, that would be the biggest joke of all, he says.

The future

I would sum up my fear about the future in one word: boring. And that’s my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again… the future is just going to be a vast, conforming suburb of the soul.

Ballard

Writing: no going back, no going forward. At the end and beginning of your tether.

In the field of writing before I can identify myself. I’ve fallen into some kind of error. Begin again, head for the limit of error.

The surrender to writing: to let nothing speak through your words like wind through leaves. Only in this way to approach the world.

You wrote: writing enclosed you outside yourself. You wrote: you got nowhere.

Days

The days run into each other, X tells me. I can’t keep track of them anymore. Is that normal? No, I say, it just happened, I don’t know how. That’s what I’ve been telling you, we need to get a grip, we need to work together. Don’t kid yourself, he says, you just want me to do all the work. Why do we still have that calendar? he asks, pointing at the wall. When did you last turn the page?

Beginning and end

When I began writing I’d get distracted by the movements of the pen in my hand and the ink marks on the page. Sometimes the hand of writing gripped mine, but the beginning never really got off to a start. Instead it doubled up as an ending, making writing both beginning and end.

An end or a beginning

I have brought nothing with me that life requires so far as I know, but only the universal human weakness, in this respect it is gigantic strength, I have vigorously absorbed the negative element of the age in which I live, an age that is of course very close to me, which I have no right ever to fight against, but as it were, a right to represent. The slight amount of the positive and also of the extreme negative, which capsizes into the positive is something in which I have had no hereditary share, I have not been guided into life by the hand of Christianity, admittedly now slack and failing, as Kierkegaard was, and have not caught the hem of the Jewish prayer shawl, now flying away from us as the Zionists have. I am an end or a beginning.

– Kafka, The Blue Octavo Notebooks

Another Abraham

But take another Abraham. One who wanted to perform the sacrifice altogether in the right way and had a correct sense in general of the whole affair, but could not believe that he was the one meant, he, an ugly old man, and the dirty youngster that was his child. He is afraid that after starting out as Abraham with his son he would change on his way into Don Quixote… An Abraham who should come unsummoned!

Kafka

Amateurish

All that he does seems to him, it is true, extraordinarily new, but also, because of the incredible spate of new things, extraordinarily amateurish, indeed scarcely tolerable, incapable of becoming history, breaking short the chain of the generations, cutting off for the first time at its most profound source the music of the world, which before him could at least be divined. Sometimes in his arrogance he has more anxiety for the world than for himself.

– Kafka

Never!

I’ll never give in, X tells me. Never! I don’t care what you or they do to me. You’ve learned more from me than from them, and you know it, he says. If you’re not careful I’ll get up and leave, and then where will you be? You’d kill yourself! So would you, I say.