Monthly Archives: May 2024

To talk elsewhere

‘In 1966, a political development took place that all of us had sensed was in the air, namely the Grand Coalition. The Grand Coalition meant that Kiesinger, a former Nazi, became chancellor, and Willy Brandt, a former anti-Nazi, became Minister of Foreign Affairs. Everyone who didn’t fit into this spectrum, everyone who could no longer find a political home thanks to this unholy alliance between Nazis and anti-Nazis, tried, if not to get organised, to get together and talk elsewhere. Ulrike moved into this circle. On the one hand, she moved in elite circles, and on the other, she was an active social critic, interested in homes for children in care, interviewing women who worked on production lines, above all digging into the most disadvantaged layers of society. This was a basic contradiction that kept arising. It shaped her life to a great extent, and in the end, it tore her life apart.’

Death Fugue

Black milk of daybreak we drink it at nightfall

we drink it at noon in the morning we drink it at night

we drink it and drink it

we are digging a grave in the sky it is ample to lie there

A man in the house he plays with the serpents he writes

he writes when the night falls to Germany your golden

hair Margarete

he writes it and walks from the house the stars glitter he

whistles his dogs up

he whistles his Jews out and orders a grave to be dug in

the earth

he commands us strike up for the dance

Black milk of daybreak we drink you at night

we drink you in the morning at noon we drink you at

nightfall

drink you and drink you

A man in the house he plays with the serpents he writes

he writes when the night falls to Germany your golden

hair Margarete

Your ashen hair Shulamith we are digging a grave in the

sky it is

ample to lie there

He shouts stab deeper in earth you there and you others

you sing and you play

he grabs at the iron in his belt and swings it and blue are

his eyes

stab deeper your spades you there and you others play on

for the dancing

Black milk of daybreak we drink you at nightfall

we drink you at noon in the mornings we drink you at

nightfall

drink you and drink you

a man in the house your golden hair Margarete

your ashen hair Shulamith he plays with the serpents

He shouts play sweeter death’s music death comes as a

master from Germany

he shouts stroke darker the strings and as smoke you

shall climb to the sky

then you’ll have a grave in the clouds it is ample to lie

there

Black milk of daybreak we drink you at night

we drink you at noon death comes as a master from

Germany

we drink you at nightfall and morning we drink you and

drink you

a master from Germany death comes with eyes that are

blue

with a bullet of lead he will hit in the mark he will hit

you

a man in the house your golden hair Margarete

he hunts us down with his dogs in the sky he gives us a

grave

he plays with the serpents and dreams death comes as a

master from Germany

your golden hair Margarete

your ashen hair Shulamith.

— Paul Celan, ‘Death Fugue’ (tr. Middleton)

Eternal presence

For not in our fashion does He look forward to what is future, nor at what is present, nor back upon what is past; but in a manner quite different and far and profoundly remote from our way of thinking. For He does not pass from this to that by transition of thought, but beholds all things with absolute unchangeableness; so that of those things which emerge in time, the future, indeed, are not yet, and the present are now, and the past no longer are; but all of these are by Him comprehended in His stable and eternal presence. Neither does He see in one fashion by the eye, in another by the mind, for He is not composed of mind and body; nor does His present knowledge differ from that which it ever was or shall be, for those variations of time, past, present, and future, though they alter our knowledge, do not affect His, ‘with whom is no variableness, neither shadow of turning’ (James, 1:17).

Augustine

Pathocracy

Łobaczewski adopted the term “ponerology“, which is derived from the Greek word poneros, from the branch of theology dealing with the study of evil. According to Łobaczewski, all societies fluctuate between ‘happy times’ and ‘unhappy times’. During happy times the privileged classes enjoy prosperity and suppress advanced psychological knowledge of psychopathological influence in the corridors of power. Though happy, these times are not necessarily morally advanced as the privileged classes’ prosperity or happiness may be premised on the oppression or exploitation of others. To block out such inconvenient truths (the voice of conscience) the privileged use ‘conversive thinking’, which means changing the outcome of the reasoning process to a more convenient outcome. This is accompanied by a rise in egotism and emotionalism. This growing ‘hysteria’ of the privileged classes (emotionalismegotism and conversive thinking) spreads across society over several generations. National hysteria is a natural cycle and forms a sine-wave almost 200 years long. Hysteria causes people to lose the ability to differentiate between psychologically healthy and pathological individuals. In this environment the behavior of ‘characteropaths’, or individuals with slight brain tissue damage (e.g. from toxic substances, viruses, difficult births, pathological parenting) is accepted as normal and this acts as a gateway to normalizing the behavior of those with genetic deviations, including psychopathy. Finally, near the point of maximum hysteria society becomes polarized and paralyzed and the most pathologically egotistical of all ‘spellbinders’ can come to power. The spellbinder worsens the psychological health of those under his or her influence. This may be the beginning of a ‘pathocracy‘ (though not inevitable) in which individuals with biologically based psychopathology, including personality disorders (especially psychopathy) occupy positions of power and influence.

The spellbinder hides behind an ‘ideological mask’, a belief system that he uses to gain power. Any belief system can be used as an ideological mask, including religion. Psychopaths have no problems wearing personal masks or ideological masks and are accepted as normal within the spellbinder’s movement. A network of psychopaths gradually begins to dominate, and they begin to eliminate the brain-tissue damaged and those who genuinely believe in the ideology. At a certain point the minority block of psychopaths has a showdown with all those they’ve usurped.

A full blown-pathocracy is known as a totalitarian state and characterized by a government turned against its own people. A pathocracy may emerge when a society is insufficiently guarded against the typical and inevitable minority of such abnormal pathology, which Łobaczewski asserts is caused by biology or genetics. He argues that in such cases these individuals infiltrate an institution or state, prevailing moral values are perverted into their opposite, and a coded language like Orwell’s doublethink circulates into the mainstream, using paralogic and paramoralism in place of genuine logic and morality.

There are various identifiable stages of pathocracy described by Łobaczewski. Ultimately pathocracy dies because the pathological are promoted to positions of power, even though they have little or no talent or abilities.

The root of healthy social morality, according to Łobaczewski, is contained in the congenital instinctive infrastructure in the vast majority of the population, and while some in the normal population are more susceptible to pathocratic influence and become its lackeys, the majority instinctively resist. During unhappy times the intelligentsia and society at large can recover real values to resolve the new social order along mentally healthier lines.

— From the Wikipedia entry on political ponerology

Days in the Sun

What are you about?

My girl. And the sweet air from my garden. Through my French doors.

You don’t have a girl. Or French doors. Or a garden.

Faith in a swerve in my life. That’s what I’m about. I’ll round some corner one day and there’ll she’ll be.

Do you think it’ll ever happen?

We could go on holiday to Italy, or something, my girl and I. imagine that. To the Mediterranean. I’ve never been to the Mediterranean. In fact, I don’t think I even believe in the Mediterranean. Is there any such place as the Mediterranean?

I wouldn’t know.

You sound about as well travelled as I am… Anyway, we couldn’t afford it, my girl and I. Or only if the university paid for it. Only if there was a conference there, for which I could claim expenses. Wouldn’t that be something?

She and I could fly out. And she’d get even more suntanned. And wear her big floppy sunhat. And be even more gorgeous. Effortlessly. Chicly. And I would have to delight her. That would be my job: to delight her. I’d become a delighting-my-lover machine. In the Mediterranean!

My soul would grow… expand. I’d open myself to everything. To the whole world. What’s the opposite of an agoraphobe?

An agora-phile, I guess.

I’d be one of those, an agora-lover. An agora-phile. I’d never want to be indoors again. Or rather, I’d understand the inside to be but a temporary folding of the outside. A temporary enclosure. And I’d understand the point of life was to unfold all the foldings… To turn everything to the light.

We need to be brought outside, you and I. By our lovers. We need to be educated in the arts of life. In fine food and fine wine. Fine dining. Fine life.

So I have to have a lover as well?

We’ve studied too long. We’ve been in the dark too long. We need to plunge into life for ourselves. We’d need to be there, in the midst of life. Splashing around in the surf, or whatever.

I can’t actually swim.

Nor can I.

Or drive.

Me, neither.

Or do DIY. Or anything…

You and me both.

You have to be able to do some of these things in a relationship.

But our lovers would embolden us. They’d make us do stuff. Backstroke. Hand point turns. Getting handy with hammer and nails… 

My girl would teach me the art of a good posture. I’m getting a widow’s hump, from looking down at my laptop screen. My posture’s terrible. My girl would show me how to look up at the sky. Crane my neck upwards…

What would you actually do in the Mediterranean?

Throw a beach ball to each other, or something. Punt it to and fro on the sand. Or play beach croquet.

Is that a game?

Or boules. Or we’d just sun ourselves. Or take a dip. Anyway, the crucial thing is that we wouldn’t talk about work. Or writing. I like the idea of that.

The coast is the great clue to life, that’s what I think. Actually, I’ve thought that for a long time. I think that’s what I moved out here, to the coast. I was in search of life. I liked the idea that life might be possible. And why wouldn’t it be? Even for me! Maybe that’s all I need: the idea that life might be possible. That there might be a girl. Some sweet girl. My girl. Who would she sit on the sofa as I worked.

Or garden.

Or garden. Such a beautiful idea.

There are beautiful things, philosopher. She’d be in love with me, and I would obviously be in love with her, and wouldn’t that be fine? She’d look over at me and I’d feel it in my heart. Like a stab in my heart. I’d catch my breath. I’d think: she’s so beautiful.

And she’d be looking to me. For life. For adventure. And that’d be the making of me. I’d become an adventurous person…

And sometimes she’d need me for reassurance. To tell her I loved her. It’d matter to her, that I loved her. Imagine that! She’d look to me for affection, for attention, for whatever. And I’d be good for something. I’d praise her beauty.  And her grace.

I’d be an expert in her beauty. Her own private connoisseur. It’d be like The Duke of Burgundy, did you ever see that. She and I, that’s all. No one else, pretty much. On our figurative island. Me with my work and she with… whatever it is she was doing. Learning parts for the theatre. Practising her guitar. Or just – gardening. She’d be happy, gardening.

We could take tea in the garden – in our imaginary garden. Imagine it, taking tea. Sipping tea. From China cups. Pouring tea from my teapot. In the garden, in the sun.

It’s always sunny, in my fantasy. Because it’s never sunny here. That’s the problem with the coast…

The days in the sun. The days of the sun. In the northeast England sun. We’d have a car. Imagine that: being able to afford a car. To run a car. We’d drive around the Northumberland countryside. We’d get to know it.

We’d have a convertible. We’d drive along, playing great music. Summer music. Motorik stuff. Harmonia stuff. Michael Rother solo stuff. Neu! stuff. I’d choose the music. She’d be delighted. That would be my job. To entertain her. To find the right music for her. And I’d like that. That would be what I was for: to delight her.

And driving. I can actually drive, in my fantasy. I’d have had lessons, passed my test. I could drive. And I even had a car. An unaffordable, impossible car. And I’d drive her around. We’d have daytrips. We could plan them. Consult maps. Plan out a lovely day for ourselves. A jolly time…

Driving along, on the open roads. Country roads. They’re so beautiful, the country roads. Summer with my beloved. My beloved making sense of summer. My beloved and I making use of the summer. Doing together what summer was for…

And we’d stop off somewhere lovely. Like the beach by Bamburgh Castle. And walk along together.

And I’d be wondering what I’d done to have such a beauty on my arm. And she’d like being the beauty on my arm. And we’d walk along, my liking the beauty on my arm and she liking being the beauty on my arm. And wouldn’t that be just dandy?

I’d pour our tea. And she’d been out and bought us friands, or something. Some treat. A friand each. On a China plate. And the plate and the teacups on a very pleasing tray that we’d found in some antique shop.

Because we’d go shop for things. For our ground-floor flat. For our garden. We could go to garden centres, or something. Have you ever been to a garden centre? Or to an antiques shop? It’d be the garden centre and antiques shop phase of my life. Everyone has to have one. The domestic phase.

It’d be just a phase, though. It wouldn’t last forever. These thing don’t. And it would be agony breaking up. So painful. But in the end, it’d be for the good. In the end, it’d be what was best. It would have been a phase, that’s all. An island rising out of the sea of my life. A blessed period. Necessarily finite. It couldn’t last. It would have to have a beginning – and an end.

She’d realise I was too in love with my work, or something. That I was too busy with whatever it is I do. With my writing. With my burgeoning academic career…

Laughter.

Composing my oeuvre.

Laughter.

More likely I’d be sacked. The department would be closed down. I’d be out on my ear, and no way to make a living. No way to afford our lifestyle.

Or maybe she’d tire of the northeast. Maybe there wouldn’t be enough adventures for us. We’d done everything that there was to be done in the area. Taken every daytrip. Had enough lovely days out. What more would there be to do?

She’d move on. Find another lover, in some other part of the world. London, or somewhere like that. Somewhere more glamorous. And with someone with a bit more money than me. Someone who could take her out and show her things and do things with her. Maybe they’d take city breaks. Fly here and fly there, if we’re still allowed to fly.

And she’d send me an email every now and again. She’d remember my birthday. She’d send me birthday wishes. A tender email here and there. A tender text. An old photo of us in our car – in our convertible. Imagine that, owning a convertible! Wearing head scarves!

That would bring it all back to me, our time together. But I’d have our summers together to draw on, in my winters of the soul. I could treasure the memory. Turn it over in my head. It could warm me, when things get cold, and dark. I’d remember her, her beauty, her youth.

Because youth is part of it. She wouldn’t be all old and crabbed, like me. She’d be young and a little naïve and beautiful. I’d have been her Educator. I’d show her stuff. Teach her stuff. Not the depressing stuff, I’d keep that from her. Not the world-doom stuff. Not the plans-of-the-maniacs stuff.

No: the good stuff. The cultural stuff that she’d like to know about. I’d be an expert in an art gallery. I’d know my way around a bookshop. She’d like that, for a while. She’d be impressed, for a while. But the life of an academic wouldn’t really be for her. The intellectual life wouldn’t be her life. So the relationship would have to end, in the end. It would be a phase for me, just as it was a phase for her.

So would you end up with an academic?

Maybe. Possibly. Later on. Much later on. I’d shack up with some fellow academic. It’d be a relationship of convenience. Pure expediency. Someone with whom I had something in common. Someone with whom I wanted to present a united front. It wouldn’t necessarily be sexual. I like the young, not the old. I wouldn’t be attracted to someone like me. That wouldn’t be what I was looking for.

But in the end, out of loneliness. Maybe. Someone to keep cats with. Two cats. Someone to share a bed with, maybe. But would I really want to share a bed? All dried up. And dull. But I’d have my memories of my youthful love affair.

You have it all planned out.

I do, don’t I. So planned out that it doesn’t actually have to happen. She doesn’t have to exist, and I don’t have to get a car, and we won’t have our Duke of Burgundy life, our island. We won’t take tea in the garden – there won’t even be a garden. Or French doors. And not even a sofa for her to sit on.

And I’ll be just fine. And I’ll just grow older and older, and die someday. And that’s it. That’ll be a life. And it’s all I need. Because I have this job, right? We have our jobs. We were given this chance, which is all we ever wanted.

— Lars Iyer, from here

Deus pater omnipotens