Silence

Q: You often use silence as a device of terror, a ‘virus’, as you call it, which breaks down characters into meaningless ciphers. What does this silence represent?

A: I don’t think of silence as being a device of terror at all. In fact, quite the contrary. Silence is only frightening to people who are compulsively verbalizing. As you know they have these sense-withdrawal chambers and immersion chambers; there’s one at the University of Oklahoma. Well, they put Marines in there, and they’d be absolutely out of their minds in about ten minutes, they could not endure the silence and solitude because of the inner contradictions which words cover; but Gerald Heard got in there with a full dose of LSD and stayed three hours. Personally I find nothing upsetting about silence at all. In fact it can’t get too quiet for me. I would say that silence is only a device of terror for compulsive verbalizers…

The Job. Interview with William Burroughs

The aimer and the aim

Should one ask, from this standpoint, how the Japanese Masters understand this contest of the archer with himself, and how they describe it, their answer would sound enigmatic in the extreme. For them the contest consists in the archer aiming at himself and yet not at himself, in hitting himself and yet not himself, and thus becoming simultaneously the aimer and the aim, the hitter and the hit. Or, to use some expressions which are nearer to the heart of the Masters, it is necessary for the archer to become, in spite of himself, an unmoved centre. Then comes the supreme and ultimate miracle: art becomes ‘artless’, shooting becomes not-shooting, a shooting without bow and arrow; the teacher becomes a pupil again, the Master a beginner, the end a beginning, and the beginning perfection.

— Eugen Herrigel, Zen in the Art of Archery (trans. R.F.C. Hull)

Dream

And I don’t dream, I don’t live; I dream real life. All ships are dreamed ships if we have the power to dream them. What kills the dreamer is to not live while he dreams; what hurts the man of action is to not dream while he lives. I fused the beauty of dreaming and the reality of life into a single, blissful colour.

— Pessoa

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This idea — the opposition of imagination to reality, which is also of course the opposition of art to politics — is of great importance, because it reminds us that we are not helpless; that to dream is to have power… Unreality is the only weapon with which reality can be smashed, so that it may subsequently be reconstructed.

— Salman Rushdie

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Reality can be dreamed away.

— William Burroughs

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The great Taoist master Chuang Tzu once dreamt that he was a butterfly fluttering here and there. In the dream he had no awareness of his individuality as a person. He was only a butterfly. Suddenly, he awoke and found himself laying there, a person once again. But then he thought to himself, ‘Was I before a man who dreamt about being a butterfly, or am I now a butterfly who dreams about being a man?’

Zen Stories

Shipwrecks of our understanding

Have you ever considered, beloved Other, how invisible we all are to each other? Have you ever thought about how little we know each other? We look at each other without seeing. We listen to each other and hear only a voice inside ourself.
   The words of others are mistakes of our hearing, shipwrecks of our understanding. How confidently we believe in our meanings of other people’s words. We hear death in words they speak to express sensual bliss. We read sensuality and life in words they drop from their lips without the slightest intention of being profound.
   The voice of brooks that you interpret, pure explicator… The voice of trees whose rustling means what we say it means… Ah, my unknown love, this is all just us and our fantasies, all ash, trickling down the bars of our cell!

— Pessoa, The Book of Disquiet (trans. R. Zenith)

The seer and the seen

Because the illuminating vision does not inquire what meaning the ‘seen’ might have in relation to the seer, it permits each existent to be its true self, according to its origin. It grasps things as they are ‘meant to be’. For to the degree that their formless origin is inaccessible and inconceivable, things in their concrete forms become the more accessible to us. Bathed in the light of their origin, they themselves are illuminated. The more mysterious their ground, the more revealingly do they stand before us. The more silent they are about the ultimate questions, the less silent they are about themselves. This enables the visionary to let them go their own way without saddling them with his own preoccupations. Far from taking them as mere manifestations of a primal Ground, which at this state is inaccessible and incomprehensible, he lets each thing be itself. […] Occasionally he can intensify this contact to the point of complete union. It then seems to him that things do not come to him in his vision, but that they come to themselves, and that only then do they attain full reality, as if Being were beholding itself in everything that is, as if it embraced and sustained the process of seeing. He then no longer feels himself as the subjective pole, confronted by things as objects; he feels Being as the one pole, of an essentially inconceivable nature, and himself, together with everything that happens, as the other pole of concrete existence, which, like himself, proceeds from the origin.

— Eugen Herrigel, The Method of Zen (trans. R.F.C. Hull)

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zen_buncho_tani1

Buncho Tani

Prisoner of God

‘God, you are my God; I have sought you since daybreak…’ Slowly I am letting the phrase of the Psalm seep into me. There are not many of us in the chapel at this morning hour. I often come here at the end of the night’s great silence. I leave my body on the ground and make myself ready for you. At the start of our relationship I used to talk to you a lot. Now, more and more, I stay quiet before you. Are you not aware of what I am about to say, even before it comes to my lips? I keep silence in your presence. It is not that I really know you: but that is how I love to be. Do with this moment whatever seems good to you.

Strangely, God, these sources of distress do not touch me in that secret depth where I meet you. Am I running away from the reality of my everyday life? I do not believe so. I believe rather that you are the sole reality. That may be why our relationship seems so little affected by what is going on outside. Is ‘relationship’ the right word, though? I am silent for a lot of the time with you. You talk seldom — or rather, you talk in a strange manner: you come to confirm, in a kind of way, the words that are familiar to me from the Bible — by an inner certainty, as if you were addressing them to me, yes to me, that very day. Silent God. I love to listen for your word.

God, I have to speak to you today; you must hear me. What is happening? Are you just an illusion? — you, who have slowly made me accustomed to your presence; you, who used to be enough for my happiness… But am I mistaken? My brothers, the brothers whose life and destiny I share — they can’t all be wrong and I alone right. But then, who are you, if you’re not life in full flood? And as for me, what value does my life have, if it’s not a constant walking in your footsteps? What sort of life is a stationary life, God?

It’s over. The enthusiasm, God, in which you were one with ongoing life — that enthusiasm is shattered now. And you yourself, these days, when I come to present myself before you at dawn — you seem absent too, God. And yet you’re still the same. You haven’t changed because I’ve ceased to hope. Am I now going to have to wear myself out with your absence? Could you be an imaginary God, like water that runs away? Or rather is it that I am now unable to hold you in the hollow of my hand, to drink you? God, I may be unable to live without expecting anything of the morrow. But how can I live without you?

— Michel Benoît, Prisoner of God (trans. R. Clarke)

When I die, the world is in my room

God himself is permanently surprised. True art.

Every life is a divination.

Flaws must enter the composition like poisons in medicine.

To be free means to be free from opinions. To be sociable with the stars above.

Wisdom is a crisis.

Everything we experience is an answer.

We embrace the ocean when we drown.

Consolation: nature has no opinion of me.

Juergen von der Wense

On the fringe

I was born in a time when the majority of young people had lost faith in God, for the same reason their elders had had it — without knowing why. And since the human spirit naturally tends to make judgements based on feelings instead of reason, most of these young people chose Humanity to replace God. I, however, am the sort of person who is always on the fringe of what he belongs to, seeing not only the multitude he’s a part of but also the wide-open spaces around it. That’s why I didn’t give up God as completely as they did, and I never accepted Humanity. I reasoned that God, while improbable, might exist, in which case he should be worshipped; whereas Humanity, being a mere biological idea and signifying nothing more than the animal species we belong to, was no more deserving of worship than any other animal species. The cult of Humanity, with its rites of Freedom and Equality, always struck me as a revival of those ancient cults in which gods were like animals or had animal heads.

— Pessoa, The Book of Disquiet (trans. R. Zenith)

Virus

Virus defined as three-dimensional coordinate point of a controller — Transparent sheets with virus perforations like punch cards passed through the host on the soft machine feeling for a point of intersection — The virus attack is primarily directed against affective animal life — Virus of rage hate fear ugliness swirling round you waiting for a point of intersection and once in immediately perpetrates in your name some ugly noxious or disgusting act sharply photographed and recorded becomes now part of the virus sheets constantly presented and represented before your mind screen to produce more virus word and image around and around it’s all around you the invisible hail of bring down word and image — What does virus do wherever it can dissolve a hole and find traction? — It starts eating — And what does it do with what it eats? — It makes exact copies of itself that start eating to make more copies that start eating to make more copies that start eating and so forth to the virus power the fear hate virus slowly replaces the host with virus copies — Program empty body —

— William Burroughs, Nova Express

The impossibility of writing

What matters is whether we want to lie or to tell the truth and write the truth, even though it never can be the truth and never is the truth.

— Thomas Berhard

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What is the writer’s struggle except a struggle to use a medium as precisely as possible, but knowing fully its basic imprecision? A hopeless task, but none the less rewarding for being hopeless.

— Lawrence Durrell