In broad daylight

The work is no longer innocent; it knows whence it comes. Or at least it knows how to seek, and in this seeking how to approach always nearer to the origin, and in this approach how to keep without fail to the path where possibility is gambled, where the risk is essential and failure threatens. This is what the work seems to ask, this is where it pushes the artist: away from itself and from its own realisation. This experience has become so grave that the artist pursues it endlessly. Despairing of success yet at the same time concerned for the essential, he produces this experience in the broad daylight. He seeks to express it directly or, in other words, to make of the work a road toward inspiration – that which protects and preserves the purity of inspiration – and not of inspiration a road toward the work.

— Blanchot, The Space of Literature (tr. A. Smock)

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