Scene 1
‘We were not able to chose the mess we have to live in – this collapse of a whole society – but we can choose our way out.’ – C. L. R. James
There is nothing outside. There is nothing outside this world. Once, society said that this was as good as it can get. Now it just says that this is what there is. It can be good or bad, but there is nothing else. Capitalist society is what there is. It is endless. Capitalist society is endless. There is nothing else. Nothing but the huge body of capitalism, of which we are a tiny part. Which we reproduce every day. Again and again. Every day we recreate this enor- mous, indisputable, impenetrable body of control, oppression and dominance, from which it is impossible to distance ourselves. We are the body, it is us. Now and tomorrow. It is within us, we cannot get away from it, it has penetrated into us. There is no ‘us’ outside, there is no ‘me’ separate from capital. I am the image, the image is me.
Every day we recreate a totality that we cannot understand. We are all quite aware that the totality to which we are subjected only exists because we create it, and yet it appears to be beyond our reach, as if we were not helping to recreate it every single day. We have lost perspective.
I see myself lying flat on my belly, closing my eyes and falling asleep. And waking up and opening my mouth, and my tongue comes out. But I don’t wake up. I can’t wake up again. We all sleep the same sleep, from which we cannot wake up. We lie moving back and forth in the bed, but our bodies get more and more tired and slowly decompose, decay and wither. For sleep gives us no rest, we only become more afraid and completely desperate in order to finally fall asleep properly; sleeping and on our way to somewhere else. But there is nothing outside. The bad dream of modernism has become reality. Any kind of outside has been swallowed up and folded into the flicker of the spectacle.
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Everyone carries a room about inside him. This fact can even be proved by means of the sense of hearing. If someone walks fast and one pricks up one's ears and listens, say in the night, when everything round about is quiet, one hears, for instance, the rattling of a mirror not quite firmly fastened to the wall.
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– Kafka
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