Monthly Archives: August 2020

Splice’s description of The Moment:

In the murky aftermath of a breakdown, a man still at odds with himself takes flight to a cottage in rural Norfolk. There he intends to strip his life of everything trivial, everything superfluous, paring it all back to the essential truths, values, and experiences. In doing so, he keeps a fragmentary journal: not a record of progress as such, but sporadic notes on his new surroundings as he attends to minor changes in search of an ideal moment-a moment of unity between body and mind, in which there is no distinction between sensation and thought. For decades he has been hounded by the sense of a split self, as if under observation by a nameless double, and he feels that the opportune moment, if it can be found, will relieve him, just briefly, of this spectral presence.

Peter Holm Jensen’s début novel is a mercurial marvel of contemplative literature that at once adopts and dismantles the diarist’s form of expression. It is not a linear account of ordinary events, but a cyclical and recursive record of noticing the ways of the world. It does not tell the story of its narrator’s life, but opens up for him a quiet space in which to savour the changes of the seasons, the migration habits of birds, his connectedness to his partner, the fluctuations of his ineptitude and capabilities. But it is also not an environmentalist’s lyrical notebook, for its author feels the pains of precarity and indignity under neoliberalism, nor is it an account of stoic persistence in the face of daily adversity and aimlessness. It is, rather, an attempt to come to terms with the indifference of the forces within which we live — time, nature, globalisation — and to extract from this void of meaning something immanent, something true.


Dear Albertine,

I am obliged to rest because of a slight illness (a touch of inflammation of the ear — nothing serious) so I seize the opportunity for a little talk with you. In a normal working week it is difficult to make any effort beyond what I am compelled to make. But that’s not the only reason I haven’t written; it’s also the number of things there are to tell and the impossibility of telling the essential. Perhaps later on I shall find the right words, but at present it seems to me that I should need a new language to convey what needs to be said. Although this experience is in many ways what I expected it to be, there is also an abysmal difference: it is reality and no longer imagination. It is not that it has changed one or the other of my ideas (on the contrary, it has confirmed many of them), but infinitely more — it has changed my whole view of things, even my very feeling about life. I shall know joy again in the future, but there is a certain lightness of heart which, it seems to me, will never again be possible. But that’s enough about it: to try to express the inexpressible is to degrade it.

As regards the things that can be expressed, I have learnt quite a lot about the organization of a firm. It is inhuman; work broken down into small processes, and paid by the piece; relations between different units of the firm and different work processes organized in a purely bureaucratic way. One’s attention has nothing worthy to engage it, but on the contrary is constrained to fix itself, second by second, upon the same trivial problem, with only such variants as speeding up your output from 6 minutes to 5 for 50 pieces, or something of that sort. Thank heaven, there are manual skills to be acquired, which from time to time lends some interest to this pursuit of speed. But what I ask myself is how can all this be humanized; because if the separate processes were not paid by the piece the boredom they engender would inhibit attention and slow down the work considerably, and produce a lot of spoiled pieces. And if the processes were not subdivided… But I have no time to go into all this by letter. Only when I think that the great Bolshevik leaders proposed to create a free working class and that doubtless none of them — certainly not Trotsky, and I don’t think Lenin either — had ever set foot inside a factory, so that they hadn’t the faintest idea of the real conditions which make servitude or freedom for the workers — well, politics appears to me a sinister farce.

I must point out that all I have said refers to unskilled labour. About skilled labour I have almost everything still to learn. It will come, I hope.

To speak frankly, for me this life is pretty hard. And the more so because my headaches have not been obliging enough to withdraw so as to make things easier — and working among machines with a headache is painful. It is only on Saturday afternoon and Sunday that I can breathe, and find myself again, and recover the ability to turn over a few thoughts in my head. In a general way, the temptation to give up thinking altogether is the most difficult one to resist in a life like this: one feels so clearly that it is the only way to stop suffering! First of all, to stop suffering morally. Because the situation itself automatically banishes rebellious feelings: to work with irritation would be to work badly and so condemn oneself to starvation; and leaving aside the work, there is no person to be a target for one’s irritation. One dare not be insolent to the foremen and, moreover, they very often don’t even make one want to be. So one is left with no possible feeling about one’s own fate except sadness. And thus one is tempted to cease, purely and simply, from being conscious of anything except the sordid daily round of life. And physically too it is a great temptation to lapse into semi-somnolence outside working hours. I have the greatest respect for workmen who manage to educate themselves. It is true they are usually tough; but all the same it must require a lot of stamina. And it is becoming more and more unusual with the advance of rationalization. I wonder if it is the same with skilled workers.

— Simone Weil, letter (tr. Rees)