Category Archives: Kafka

‘Are you dead?’
‘Yes’, said the Hunter, ‘as you see. Many years ago, yes, it must be a great many years ago, I fell from a precipice in the Black forest — that is in Germany — when I was hunting a chamois. Since then I have been dead’.
‘But you are alive too’, said the Burgomaster.
‘In a certain sense’, said the Hunter, ‘in a certain sense I am alive too. My death ship lost its way; a wrong turn of the wheel, a moment’s absence of mind on the pilot’s part, the distraction of my lovely native country, I cannot tell what it was; I only know this, that I remained on earth and that ever since my ship has sailed earthly waters. So I, who asked for nothing better than to live among my mountains, travel after my death through all the lands of the earth.’
‘And you have no part in the other world?’ asked the Burgomaster, knitting his brow.
‘I am forever’, replied the Hunter, ‘on the great stair that leads up to it. On that infinitely wide and spacious stair I clamber about, sometimes up, sometimes down, sometimes on the right, sometimes on the left, always in motion. The Hunter has been turned into a butterfly. Don’t laugh.’

— Kafka, ‘The Hunter Gracchus’ (trans. W. and E. Muir)

There is a parable that describes this situation very well: The Emperor, so it runs, has sent a message to you, the humble subject, the insignificant shadow cowering in the remotest distance before the imperial sun; the Emperor from his deathbed has sent a message to you alone. He has commanded the messenger to kneel down by the bed, and has whispered the message to him; so much store did he lay on it that he ordered the messenger to whisper it back into his ear again. Then by a nod of the head he has confirmed that it is right. Yes, before the assembled spectators of his death — all the obstructing walls have been broken down, and on the spacious and loftily mounting open staircases stand in a ring the great princes of the Empire — before all these he has delivered his message. The messenger immediately sets out on his journey; a powerful, an indefatigable man; now pushing with his right arm, now with his left, he cleaves a way for himself through the throng; if he encounters resistance he points to his breast, where the symbol of the sun glitters; the way is made easier for him than it would be for any other man. But the multitudes are so vast; their numbers have no end. If he could reach the open fields how fast he would fly, and soon doubtless you would hear the welcome hammering of his fists on your door. But instead how vainly does he wear out his strength; still he his only making his way through the chambers of the innermost palace; never will he get to the end of them; and if he succeeded in that nothing would be gained; he must next fight his way down the stair; and if he succeeded in that nothing would be gained; the courts would still have to crossed; and after the courts the second outer palace; and once more stairs and courts; and once more another palace; and so on for thousands of years; and if at last he should burst through the outermost gate — but never, never can that happen — the imperial capital would lie before him, the centre of the world, crammed to bursting with its own sediment. Nobody could fight his way through here even with a message from a dead man. But you sit at your window when evening falls and dream it to yourself.

— Kafka, ‘The Great Wall of China’ (trans. T. and J. Stern)

First, then, it must be said that in those days things were achieved scarcely inferior to the construction of the Tower of Babel, although as regards divine approval, at least according to human reckoning, strongly at variance with that work. I say this because during the early days of building a scholar wrote a book in which he drew the comparison in the most exhaustive way. In it he tried to prove that the Tower of Babel failed to reach its goal, not because of the reasons universally advanced, or at least that among those recognised reasons the most important of all was not to be found. His proofs were drawn not merely from written documents and reports; he also claimed to have made inquiries on the spot, and to have discovered that the tower failed and was bound to fail because of the weakness of the foundation. In this respect at any rate our age was vastly superior to that ancient one. Almost every educated man of our time was a mason by profession and infallible in the matter of laying foundations. That, however, was a not what our scholar was concerned to prove; for he maintained that the Great Wall alone would provide for the first time in the history of mankind a secure foundation for a new Tower of Babel. First the wall, therefore, and then the tower. His book was in everybody’s hands at that time, but I admit that even today I cannot quite make out how he conceived this tower. How could the wall, which did not form even a circle, but only a sort of quarter- or half-circle, provide the foundation for a tower? That could obviously be meant only in a spiritual sense. But in that case why build the actual wall, which after all was something concrete, the result of the lifelong labour of multitudes of people? And why were there in the book plans, somewhat nebulous plans, it must be admitted, of the tower, and proposals worked out in detail for mobilising the people’s energies for the stupendous new work?

— Kafka, ‘The Great Wall of China’ (trans. T. and J. Stern)

I stand on the end platform of the tram and am completely unsure of my footing in this world, in this town, in my family. Not even casually could I indicate any claims that I might rightly advance in any direction. I have not even any defense to offer for standing on this platform, holding on to this strap, letting myself be carried along by this tram, nor for the people who give way to the tram or walk quietly along or stand gazing into shop windows. Nobody asks me to put up a defense, indeed, but that is irrelevant.

— Kafka, from ‘On the Tram’ (trans. W. and E. Muir)

It is no disproof of one’s presentiment of an ultimate liberation if the next day one’s imprisonment continues unchanged, or is even made straiter, or if it is even expressly stated that it will never end. All this can rather be the necessary preliminary to an ultimate liberation.

— Kafka, Diaries (trans. M. Greenberg)

“You don’t understand the facts,” said the priest, “the verdict does not come suddenly, proceedings continue until a verdict is reached gradually.” “I see,” said K., lowering his head. “What do you intend to do about your case next?” asked the priest. “I still need to find help,” said K., raising his head to see what the priest thought of this. “There are still certain possibilities I haven’t yet made use of.” “You look for too much help from people you don’t know,” said the priest disapprovingly, “and especially from women. Can you really not see that’s not the help you need?” “Sometimes, in fact quite often, I could believe you’re right,” said K., “but not always. Women have a lot of power. If I could persuade some of the women I know to work together with me then I would be certain to succeed. Especially in a court like this that seems to consist of nothing but woman-chasers. Show the examining judge a woman in the distance and he’ll run right over the desk, and the accused, just to get to her as soon as he can.” The priest lowered his head down to the balustrade, only now did the roof over the pulpit seem to press him down. What sort of dreadful weather could it be outside? It was no longer just a dull day, it was deepest night. None of the stained glass in the main window shed even a flicker of light on the darkness of the walls. And this was the moment when the man in the cassock chose to put out the candles on the main altar, one by one. “Are you cross with me?” asked K. “Maybe you don’t know what sort of court it is you serve.” He received no answer. “Well, it’s just my own experience,” said K. Above him there was still silence. “I didn’t mean to insult you,” said K. At that, the priest screamed down at K.: “Can you not see two steps in front of you?”

— Kafka, The Trial (trans. Wyllie)