Great poetry begins in elegy and ends in praise.
Once again let it be your morning, gods.
We keep repeating. You alone are source.
With you the world arises, and your dawn
gleams on each crack and crevice of our failure…
How we squander our hours of pain.
How we gaze beyond them into the bitter duration
to see if they have an end. Though they are really our winter-enduring foliage, our dark evergreen,
one season in our inner year.
Writing now means somehow prevailing over oneself, for what to write when everything one touches is unspeakable, unrecognizable, when nothing belongs to one, no feeling, no hope.
Extensive as the ‘external’ world is, with all its sidereal distances it hardly bears comparison with the dimensions, the depth dimensions, of our inner being, which does not even need the spaciousness of the universe to be, in itself, almost unlimited… It seems to me more and more as though our ordinary consciousness inhabits the apex of a pyramid whose base in us (and, as it were, beneath us) broadens out to such an extent that the further we are able to let ourselves down into it, the more completely do we appear to be included in the realities of earthly and, in the widest sense, worldy, existence, which are not dependent on time and space. From my earliest youth I have felt the intuition that at some deeper cross-section of this pyramid of consciousness, mere being could become an event, the inviolable presence and simultaneity of everything that we, on the upper, ‘normal’, apex of self-consciousness, are permitted to experience only as entropy.
– Rilke, letter (tr. Mitchell)
Call me to the one among your moments
that stands against you, ineluctably:
intimate as a dog’s imploring glance
but, again, forever, turned away
when you think you’ve captured it at last.
What seems so far from you is most your own.
– Rilke, from The Sonnets to Orpheus (tr. Mitchell)
What guarantee is there that the five senses, taken together, do cover the whole of possible experience? They cover simply our actual experience, our human knowledge of facts or events. There are gaps between the fingers; there are gaps between the senses. In these gaps is the darkness which hides the connection between things…. This darkness is the source of our vague fears and anxieties, but also the home of the gods. They alone see the connections, the total relevance of everything that happens; that which now comes to us in bits and pieces, the ‘accidents’ which exist only in our heads, in our limited perceptions.
Writing now means somehow prevailing over oneself, for what to write when everything one touches is unspeakable, unrecognizable, when nothing belongs to one, no feeling, no hope; when an enormous provision, got I know not where, of suffering, despair, sacrifice and misery is used up in large amounts, as though everybody were somewhere in the whole mass, and the single person nowhere; nowhere any longer is the measure of the individual heart applicable which used to be the unit of the earth and the heavens and all expanses and abysses.
— Rilke, letter (via here)
Now, from America, empty indifferent things are pouring across, sham things, dummy life…. A house, in the American sense, an American apple or a grapevine over there, has nothing in common with the house, the fruit, the grape into which went the hopes and reflections of our forefathers … Live things, things that are alive — that are conscious of us — are running out and can no longer be replaced. We are perhaps the last to have known such things.
–- Rilke (via here)