Category Archives: Witold Gombrovicz

I began to write this diary for the simple reason of saving myself, in fear of degradation and an ultimate indundation by the waves of a trivial life, which are already up to my neck.

Gombrovicz

Childhood

A child, yes, but one that has come to know and has exhausted all the possibilities of adult seriousness. This is the big difference. First, push away all the things that make everything easier, find yourself in a cosmos that is as bottomless as you can stand, in a cosmos at the limits of your consciousness, and experience a condition where you are left to your own loneliness and your own strength, only then, when the abyss which you have not managed to tame throws you from the saddle, sit down on the earth and discover the sand and grass anew. For childhood to be allowed, one must have driven maturity to bankruptcy. I am not bluffing: when I pronounce the word ‘childhood’, I have the feeling that I am expressing the deepest but not yet roused contents of the people who gave me birth. This is not the childhood of a child, but the difficult childhood of an adult.

– Gombrowicz, Diary (tr. Vallee)

A balloon with ballast

I write this diary reluctantly. Its dishonest honesty wearies me. For whom am I writing? If I am writing for myself, then why is it being published? If for the reader, why do I pretend that I am talking to myself? Are you talking to yourself so that others will hear you?
How far I am from the certitude and vigour that hum in me when I am, pardon me, ‘creating’. Here, on these pages, I feel as if I were emerging from a blessed night into the hard light of dawn, which fills me with yawning and drags my shortcomings out into the open. The duplicity inherent in keeping a diary makes me timid, so forgive, oh forgive me (perhaps these last words are dispensable, perhaps they are already pretentious?).
Yet I realize that one must be oneself at all levels of writing, which is to say, that I ought to be able to express myself not only in a poem or drama, but also in everyday prose — in an article or in a diary — and the flight of art has to find its counterpart in the domain of regular life, just as the shadow of the condor is cast onto the ground. What’s more, this passage into an everyday world from an area that is backed into the most remote depths, practically in the underground, is a matter of great importance to me. I want to be a balloon, but one with ballast; an antenna, but one that is grounded.

— Gombrowicz, Diary (tr. Vallee)

Alien and identical

Once I was explaining to someone that in order to feel the real cosmic significance of man for man, he should imagine the following:

I am completely alone in a desert. I have never seen people nor do I imagine that another man is even possible. At that very moment an analogous creature appears in my field of vision, which, while not being me, is nevertheless the same principle in an alien body. Someone identical but alien nevertheless. And suddenly I experience, at precisely the same moment, a wondrous fulfilment and a painful division. Yet one revelation stands out above all the rest: I have become boundless, unpredictable to myself, multiple in possibilities through this alien, fresh but identical power, which approaches me as if I were approaching myself from the outside.

– Witold Gombrowicz

To be human is to be among those whose thoughts we don’t know; to be in the dark. Perhaps this condition is the source of our urge to speak. Language, born of absence, filling a lack, generating light. To be human is to be alone, and also to know that we are in thrall to thoughts we call our own, yet are barely aware of. Perhaps this very unknowingness is the source of writing. Writing from out of a void, to fill a void. Both speaking and writing, then, veil ignorance of ourselves and of others even as they display it, even as they ameliorate it.

– Mark Thwaite