Factory

Dear Albertine,

I am obliged to rest because of a slight illness (a touch of inflammation of the ear — nothing serious) so I seize the opportunity for a little talk with you. In a normal working week it is difficult to make any effort beyond what I am compelled to make. But that’s not the only reason I haven’t written; it’s also the number of things there are to tell and the impossibility of telling the essential. Perhaps later on I shall find the right words, but at present it seems to me that I should need a new language to convey what needs to be said. Although this experience is in many ways what I expected it to be, there is also an abysmal difference: it is reality and no longer imagination. It is not that it has changed one or the other of my ideas (on the contrary, it has confirmed many of them), but infinitely more — it has changed my whole view of things, even my very feeling about life. I shall know joy again in the future, but there is a certain lightness of heart which, it seems to me, will never again be possible. But that’s enough about it: to try to express the inexpressible is to degrade it.

As regards the things that can be expressed, I have learnt quite a lot about the organization of a firm. It is inhuman; work broken down into small processes, and paid by the piece; relations between different units of the firm and different work processes organized in a purely bureaucratic way. One’s attention has nothing worthy to engage it, but on the contrary is constrained to fix itself, second by second, upon the same trivial problem, with only such variants as speeding up your output from 6 minutes to 5 for 50 pieces, or something of that sort. Thank heaven, there are manual skills to be acquired, which from time to time lends some interest to this pursuit of speed. But what I ask myself is how can all this be humanized; because if the separate processes were not paid by the piece the boredom they engender would inhibit attention and slow down the work considerably, and produce a lot of spoiled pieces. And if the processes were not subdivided… But I have no time to go into all this by letter. Only when I think that the great Bolshevik leaders proposed to create a free working class and that doubtless none of them — certainly not Trotsky, and I don’t think Lenin either — had ever set foot inside a factory, so that they hadn’t the faintest idea of the real conditions which make servitude or freedom for the workers — well, politics appears to me a sinister farce.

I must point out that all I have said refers to unskilled labour. About skilled labour I have almost everything still to learn. It will come, I hope.

To speak frankly, for me this life is pretty hard. And the more so because my headaches have not been obliging enough to withdraw so as to make things easier — and working among machines with a headache is painful. It is only on Saturday afternoon and Sunday that I can breathe, and find myself again, and recover the ability to turn over a few thoughts in my head. In a general way, the temptation to give up thinking altogether is the most difficult one to resist in a life like this: one feels so clearly that it is the only way to stop suffering! First of all, to stop suffering morally. Because the situation itself automatically banishes rebellious feelings: to work with irritation would be to work badly and so condemn oneself to starvation; and leaving aside the work, there is no person to be a target for one’s irritation. One dare not be insolent to the foremen and, moreover, they very often don’t even make one want to be. So one is left with no possible feeling about one’s own fate except sadness. And thus one is tempted to cease, purely and simply, from being conscious of anything except the sordid daily round of life. And physically too it is a great temptation to lapse into semi-somnolence outside working hours. I have the greatest respect for workmen who manage to educate themselves. It is true they are usually tough; but all the same it must require a lot of stamina. And it is becoming more and more unusual with the advance of rationalization. I wonder if it is the same with skilled workers.

— Simone Weil, letter (tr. Rees)

A feeling for flatness

I realised that people really, really hate flat landscapes. Or they pretend they hate them. Flat landscapes scare people, or bore them. They feel they have to apologise for them: tourist boards praise the Cambridge fens and the Norfolk broads by saying things like: you may think this landscape is flat, but really there’s lots to see! Fair enough. But what if we accepted the fact that a space might be primarily flat? How do we look at it, and appreciate it, and enjoy it, without trying to deny its flatness?

*

There are so many beautiful flat spaces in Britain, and in the world. They demand a special way of looking: a way, I realise, that might not necessarily come instinctively. Flat spaces need a gaze which is patient and steady and open, not enforcing expectations about what counts as ‘interesting’ or ‘important’. It’s that special way of looking that interests me. I think it might help us understand other things or people which seem inscrutable or blank or reserved. Above all that’s what I’d like listeners to ask themselves after my broadcasts: how do I use my attention? What do I give it to and why and how?

Noreen Masud

Astonishment

In astonishment, we hold ourselves back (être en arrêt). We step back, as it were, from beings, [astonished] that they are rather than are not. And astonishment is not exhausted in this stepping back before the Being of beings; but as this stepping back and holding oneself back, it is at the same time enraptured by and, as it were, held fast by that from which it steps back.

— Heidegger, ‘What is Philosophy?’ (tr. Capobianco)

Psalm

Veritas sequitur . . .

In the small beauty of the forest
The wild deer bedding down —
That they are there!

Their eyes
Effortless, the soft lips
Nuzzle and the alien small teeth
Tear at the grass

The roots of it
Dangle from their mouths
Scattering earth in the strange woods.
They who are there.

Their paths
Nibbled thru the fields, the leaves that shade them
Hang in the distances
Of sun

The small nouns
Crying faith
In this in which the wild deer
Startle, and stare out.

Let this thing deal with you

God’s gift of contemplation is such that when it is present the soul can both practise it and know it is doing so. It is impossible to come by otherwise. Capacity for contemplation is one with contemplation itself, so that only he who feels he can contemplate is able to do so. No one else can. Without this prior working of God, a soul is as it were dead, unable to covet or desire it. Since you will it, and desire it, obviously you already have it, yet it is not your will or desire that moves you, but something you are completely ignorant of, stirring you to will and desire you know not what. Please do not worry if you never know more than this, but go on ever more and more, so that you will keep advancing.

In a word, let this thing deal with you, and lead you as it will. Let it be active, and you passive. Watch it if you like, but let it alone. Do not interfere with it, as though you would help, for fear that you should spoil it all. Be the tree: let it be the carpenter.

— The Cloud of Unknowing (tr. Wolters)

The only essential thing for life is forgoing smugness, moving into the house instead of admiring it and hanging garlands around it.

Kafka

Astral Weeks

Two kingdoms

If I imagined two kingdoms adjoining one another, with one of which I was fairly well acquainted, and altogether unfamiliar with the other, and I was not allowed to enter the unknown realm, however much I desired to do so, I should still be able to form some conception of its nature. I could go to the limits of the kingdom with which I was acquainted and follow its boundaries, and as I did so, I should in this way describe the boundaries of this unknown country, and thus without ever having set foot in it, obtain a general conception of it. And if this was a task that engrossed my energies, and if I was indefatigable in my desire to be accurate, it would doubtless sometimes happen, that as I stood sadly at my country’s boundary and looked longingly into the unknown country, which was so near me and yet so far away, that some little revelation might be vouchsafed to me.

— Kierkegaard, Either/Or (tr. Hong)

Strata

When I stand in the road that passes through Port William, I am standing on the strata of my history that go down through the known past into the unknown; the blacktop rests on state gravel, which rests on county gravel, which rests on the creek rock and cinders laid down by the town when it was still mostly beyond the reach of the county; and under the creek rock and cinders is the dirt track of the town’s beginning, the buffalo trace that was the way we came. You work your way down, or not so much down as within, into the interior of the present, until finally you come to that beginning in which all things, the world and the light itself, at a Word welled up into being out of their absence. And, nothing is here that we are beyond the reach of merely because we do not know about it.

— Wendell Berry, ‘Pray Without Ceasing’

Chance

The beings I love are creatures. They were born by chance. My meeting with them was also by chance. They will die. What they think, do, and say is limited and is a mixture of good and evil. I have to know this with all my soul and not love them less. I have to imitate God who infinitely loves finite things in that they are finite things. We want everything which has value to be eternal. Now everything which has a value is a product of a meeting, lasts throughout this meeting and ceases when those things which met are separated. That is the central idea of Buddhism (the thought of Heraclitus). It leads straight to God. Meditation on chance which led to the meeting of my father and mother is even more salutary than meditation on death. Is there a single thing in me of which the origin is not to be found in that meeting? Only God. And yet again, my thought of God had its origin in that meeting. Stars and blossoming fruit-trees: utter permanence and extreme fragility give an equal sense of eternity. The theories about progress and the ‘genius which always pierces through’ arise from the fact that it is intolerable to suppose that what is most precious in the world should be given over to chance. It is because it is intolerable that it ought to be contemplated. Creation is this very thing. The only good which is not subject to chance is that which is outside the world.

— Simone Weil, via here