Sleepy pubs in the afternoon. Soft drafts, light through the leaves, through the windows. Heat. I seep out of myself, float in the air.

I sit with the jobless and old-timers. Workers in splattered overalls filter in. Soon the suits will arrive and it’ll be time to leave.

But there comes a point, after a few pubs, when I can gather myself in and sit still, where I am, in my own skin.

And then I can sit for what seems like hours, in the slanting light, hardly moving, hardly thinking, half-listening to the muffled chatter in the background.

– Frenet, Journal

The old man whose acquaintance I once made in a pub, I who never talk to strangers, who am never spoken to. His lips moved as he sat on his own, a type I always ignore. The old man who became my drinking acquaintance during my heavy drinking days, in the days when I knew no one, spoke to no one, simply by virtue of us sitting in our customary seats some distance apart in the empty afternoons, who muttered soft banal words that I barely heard, and barely responded to, who was neither happy nor unhappy but just sat there day in day out, living out his time – a condition I aspired to in those days, which are not so far away, which in fact are always close behind me.

– Frenet, Journal

The concept of dignity has long since lost all meaning for me. I’m a desperate man. I live for the days of calm, between the black waves, when I can read and my soul expands.

– Frenet, Journal

Why this journal in the first place? I delete as I type, meanings disappear as the words appear on the screen.

A fat black fly buzzes back and forth between me and the computer. I wave it away and it returns. A perfect start.

– Frenet, Journal

Time to confess, I tell myself as I sit down at the computer. Time to tell the whole truth at last. But about what? The lack of truths to confess?

– Frenet, Journal

The ideological versatility of melancholia: an uncompromising rejection of the existent (nothing short of total transformation is tolerable) coupled with an easy accommodation to whatever happens to be the case (everything is equally terrible, so why bother…).

— via here

Year after year of dirty snow and bitter winds…houses and whole districts of people who aren’t really unhappy, but worse, who are neither happy nor unhappy; people who are ugly because they’re neither ugly nor beautiful; creatures that are dismally neutral, who long without longings as though they’re unconscious, unconsciously suffering from being alive. But I was aware of the sickness of life. Perhaps because I’m more intelligent, or just the opposite, less intelligent, not so wise, not so resigned, not so patient. Is that a fault or a virtue?

— Eugene Ionesco, The Killer (via here)

Across a gap

Translation is just a bottomless pit. There’s no good way to do it and you always up throwing away all your best work, but that’s the name of the game. It does give one to think about language in a way that nothing else does, that no other practical exercise does, because you come to a place where you’re standing at the edge of a word and you can see across a gap the other word, the word you’re trying to translate, and you can’t get there. And that space between the word you’re at and the word you can’t get to is unlike any other space in language. And something there is learned about human possibilities, in that space. I’m not sure what, but I like to test it. It’s humbling.

Anne Carson, interviewed

My destination

I called for my horse to be brought from the stable. The servant did not understand me. I myself went into the stable, saddled my horse and mounted.

In the distance I heard a bugle call. I asked him what it meant but he did not know and had not heard it.

By the gate he stopped me and asked, ‘Where are you riding to sir?’ I answered, ‘away from here, away from here, always away from here. Only by doing so can I reach my destination’. ‘Then you know your destination’, he asked. ‘Yes’, I said, ‘I have already said so, “Away-From-Here”, that is my destination’.

‘You have no provisions with you’, he said. ‘I don’t need any’, I said. ‘The journey is so long that I will die of hunger if I do not get something along the way. It is, fortunately, a truly immense journey.’

— Kafka (exegesis)

— This book started out with a feeling of meaninglessness, which is a death sin in the old, you know… It’s the worst thing you can do, to see the world as a meaningless place, because life is a gift, you know…
— Life is a gift?
— Yes, and you throw it away…
— From God?
— I’m not aware, I can’t answer that, but I’m just saying that…
— You’re not a religious person?
— Yes, in a way I am, I’m very interested in those subjects, I’ve written a lot about it, but that also has to do with meaning, of course, and if you’re searching for meaning you have to deal with religion, of course. But before that we were talking about meaninglessness as an art…

— Knausgaard, interview