Sleep

One can tell a lot about a person from how they sleep: how hard or easy falling asleep is for them; whether they can sleep anywhere or only at home; the postures in which they sleep; how they awake, and how quickly they rise. For some people falling asleep is something they look forward to, for others it’s a nightly grapple with separation, with death. How much, for example, can lovers not tell about each other from their behaviour before, during and after sleep? I never told you the thoughts I had when, after we’d made love, unable to sleep as I knew I would be in that unfamiliar room, with this still unfamiliar woman beside me, I looked at you sleeping so prettily, your mouth slightly open, your face trusting sleep.

Contact

Ever since the time when he lived for almost a year with the thought that he had lost contact with language, every sentence he managed to write, and which in addition left him feeling that it might be possible to go on, had been an event. Every word, not spoken but written, that led to others, filled his lungs with air and renewed his tie with the world. A successful notation of this kind began the day for him; after that, or at least so he thought, nothing could happen to him until the following morning.

— Handke (via here)

When we give up grasping

Sacrifice is heavy but relinquishment is light. There are mysteries in this that we’ve been allowed to glimpse, aren’t there? There’s a way of life some people can only reach beyond the point of no return, which is the wish to die. There’s a way to live lightly, almost without yourself, smiling at your other self’s desires. For us: with and without each other, in mutual surrender to luck. Is that how we’ll live when we give up grasping, when we give up hating?

Luck

You had a run of luck, you found the right people, the right street, the right flat. Dates fell into place. Things could come together after all, it sometimes happened. There was some interplay between what you did and what happened to you. Currents could gather under the froth of your failure. Or a strange synchronicity would reveal itself, as when random numbers start to form a pattern. It wasn’t that you made your life or that life made you: but sometimes acts and events coalesced, pulling you into the world and the world into you, hiding you in the world’s inner space.

Sometimes a small shift seemed to change everything and the effect was simple, like night turning into day. Some turn of direction or a modulation of frequencies. What was revealed then, what new view opened up? But it wasn’t quite a question of revelation, more like a possibility actuated and so trailing new possibilities behind it. You’d turn your head and see something you’d sensed all along, or it would see you. Those changes made a gentle mockery of you when you put yourself in a position to receive them.

Sometimes things came together when you needed it, even when things seemed to go wrong. Sometimes things went wrong in order to come together. There was a current beneath acts and events that could carry you or turn against you. When it found you, or when you found it, and it brought you towards other people, you called it grace, in the old style.

Luck came only through playing. So how could you start playing, how emerge from your refusal to play, from your grey timid life? How else but by a stroke of luck that carried you with it? What game were you playing, what game was playing you? What did you find as you played, as you renewed your search for luck? You crossed a line and found something that was searching for itself. When you got lucky luck played its game with you, without you. You got lucky: you were ruled by a game that didn’t know its own rules. You got lucky: your luck ran through your fingers…

I am profoundly convinced that the only antidote which can make the reader forget the everlasting ‘I’s’ the author is going to write, is perfect sincerity. Will I have the courage to recount what is humiliating without salvaging my self-esteem with an infinite series of prefatory remarks? I hope so.

— Stendhal (via here)

So she stood thinking. Without making any thought precise – for she was one of those reticent people whose minds hold their thoughts enmeshed in clouds of silence – she was filled with thoughts. Her mind was like her room, in which lights advanced and retreated, came pirouetting and stepping delicately, spread their tails, pecked their way; and then her whole being was suffused, like the room again, with a cloud of some profound knowledge, some unspoken regret, and then she was full of locked drawers, stuffed with letters, like her cabinets.

— Woolf, ‘The Lady in the Looking-Glass: A Reflection’

Turning

My head is heavy, it must be the barometric pressure declining. My muscles are twitching, and I am nonetheless on the mend from something. When I turn, I find myself strangely estranged from my self. And then I turn again, and recognize something. The point is to keep turning, and not to look back, at least not now. No, not now.

I’m not at all sure that this blog still makes sense. But I guess I will give it a try for a while.

Falkenburger’s Dream

Running

But the rages were the worst, like a great wind suddenly rising in me, no, I can’t describe. It wasn’t the violence getting worse in any case, nothing to do with that, some days I would be feeling violent all day and never have a rage, other days quite mild for me and have four or five. No, there’s no accounting for it, there’s no accounting for anything, with a mind like the one I always had, always on the alert against itself, I’ll come back on this perhaps when I feel less weak. There was a time I tried to get relief by beating my head against something, but I gave it up. The best thing I found was to start running.

Beckett, From an Abandoned Work

A noble death

You longed for the days of heretics, for the days of revolutionaries, didn’t you? When there was still such a thing as heretics and revolutionaries. As long as it was a quick death, you said, a quick chop, a merciful end, you wouldn’t care if it was noble. Sometimes you even longed for a death at the hands of a criminal, didn’t you? Take whatever you want, you’d say, just make sure you kill me. Or the police! I don’t care what you think I’ve done, you’d say, spreading out your arms, shoot me just in case, shoot me now.

‘We ought to get away from here’

‘Andreas. We ought to take a trip somewhere. We ought to get away from here. It would do us both good.’
‘I want so much to say yes.’
‘I want to say l’ll ask Elis to lend us the money. At the same time, a wall grows up. I can’t speak or show you I’m happy. I know it’s you, but l can’t reach you. Do you understand?’
‘I understand very well.’
‘I’m outside that wall. I’ve shut myself out. I’ve fled. Now I’m so far away.’
‘I understand. I know how strange it feels.’
‘Yes, it is strange. I want to be warm and tender and alive. I want to make a move. But you know how afraid – ‘
‘It’s like a dream. You want to move but can’t. Your legs and arms are as heavy as lead. You try to talk but can’t.’
‘I’m afraid of humiliation. It’s an everlasting misery. I’ve accepted the humiliations and let them sink into me. Do you understand?’
‘Yes, I understand.’
‘It’s terrible to be a failure. People think they have the right to tell you what to do. Their well-meaning contempt. That brief desire to trample on something living.’
‘You needn’t – ’
‘I’m dead. No, that’s wrong. Melodramatic. I’m not dead at all. But I live without self-respect. I know – it sounds ridiculous, pretentious. Most people have to live without a sense of self-esteem. Humiliated at heart, stifled and spat upon. They’re alive, and that’s all they know. They know of no alternative. Even if they did, they’d never reach out for it. Can one be sick with humiliation? Or is it a disease we’ve all caught? We talk so much about freedom. Isn’t freedom a poison to anyone who is humiliated? Or is that word a drug the humiliated use to be able to endure? I’m past living with this. I’ve given up. Sometimes I can’t stand it any more. The days drag by. I’m choked by food, by the shit I expel, the words I say. The daylight that shouts at me every morning to get up. The sleep which is only dreams that chase me. Or the darkness that rustles with ghosts and memories. Has it ever occurred to you that the worse off people are, the less they complain? In the end, they’re quite silent. They’re living creatures, with nerves, eyes, and hands, vast armies of victims and hangmen. The light that rises and falls heavily. The cold that comes. The darkness. The heat. The smell. They are all quiet… We can never leave here. I don’t believe in moving on. It’s too late. Everything’s too late.’

— Bergman, The Passion of Anna