Physical work is a specific contact with the beauty of the world, and can even be, in its best moments, a contact so full that no equivalent can be found elsewhere. The artist, the scholar, the philosopher, the contemplative should really admire the world and pierce through the film of unreality that veils it and makes of it, for nearly all men at nearly every moment of their lives, a dream or stage set. They ought to do this but more often than not they cannot manage it. He who is aching in every limb, worn out by the effort of a day of work, that is to say a day when he has been subject to matter, bears the reality of the universe in his flesh like a thorn. The difficulty for him is to look and to love. If he succeeds, he loves the Real.
That is the immense privilege God has reserved for his poor. But they scarcely ever know it. No one tells them. Excessive fatigue, harassing money worries, and the lack of true culture prevent them from noticing it. A slight change in these conditions would be enough to open the door to a treasure. It is heart-rending to see how easy it would be in many cases for men to procure a treasure for their fellows and how they allow centuries to pass without taking the trouble to do so.
At the time when there was a people’s civilisation, of which we are today collecting the crumbs as museum pieces under the name of folklore, the people doubtless had access to the treasure. Mythology too, which is very closely related to folklore, testifies to it, if we can decipher the poetry it contains.
– Simone Weil, ‘Forms of the Implicit Love of God’ (tr. Craufurd)