The man who sleeps

Your alarm clock goes off, you do not stir, you remain in your bed, you close your eyes again. It is not a premeditated action, or rather it’s not an action at all, but an absence of action, an action that you don’t perform, actions that you avoid performing. You went to bed early, you slept peacefully, you had set the alarm clock, you heard it go off, you waited for it to go off, for several minutes at least, already woken by the heat, or by the light, or by expectation itself. You do not move; you will not move. Someone else, your twin, conscientious double is perhaps performing in your stead, one by one, the actions you have eschewed: he gets up, washes, shaves, dresses, goes out. You let him bound down the stairs, run down the street, leap onto the moving bus, arrive on time, out of breath but triumphant, at the doors in the hall. You get up too late…

— Georges Perec, The Man Who Sleeps

‘One morning’, wrote Reb Assad, ‘sitting up in bed, I noticed that I had overnight been sawed apart from top to bottom. Ever since, I have vainly tried to save both halves of myself.’

— Jabés, The Book of Questions (tr. Waldrop)

There is no looking glass here and I don’t know what I am like now. I remember watching myself brush my hair and how my eyes looked back at me. The girl I saw was myself yet not quite myself. Long ago when I was a child and very lonely I tried to kiss her. But the glass was between us — hard, cold, and misted over with my breath. Now they have taken everything away. What am I doing in this place and who am I?

— Jean Rhys, Wide Sargasso Sea

God is without name, for no one can say or understand anything of him… Hence if I say: ‘God is good’, this is not true. I am good, but God is not good… If I say further: ‘God is wise’, this is not true, I am wiser than he. If I say also: ‘God is a being’, this is not true; he is a being above being and a superessential negation. A master says: If I had a God whom I could know, I would not think him to be God…

– Master Eckhart

VII

Become as a child,
become deaf, become blind!
Your very something
must become nothing,
drive all something, all nothing away!
Leave place, leave time,
and images as well!
Go without way
on the narrow path,
thus you will come to the desert trace.

VIII

O my soul,
get out, god in!
all my something sink
into god’s nothing,
sink into the bottomless swell!
If I flee from you,
you come to me.
If I lose myself,
I find you,
O goodness beyond being!

– Master Eckhart, from Granum sinapis de divinitate pulcherrima (tr. W. Franke)

Luck

Sometimes a small shift seemed to change everything and the effect was simple, like night turning into day. Some turn of direction or a modulation of frequencies. What was revealed then, what new view opened up? But it wasn’t quite a question of revelation, more like a possibility actuated and so trailing new possibilities behind it. You’d turn your head and see something you’d sensed all along, or it would see you. Those changes made a gentle mockery of you when you put yourself in a position to receive them.

Sometimes things came together when you needed it, even when things seemed to go wrong. Sometimes things went wrong in order to come together. There was a current beneath acts and events that could carry you or turn against you. When it found you, or when you found it, and it brought you towards other people, you called it grace, in the old style.

Luck came only through playing. So how could you start playing, how emerge from your refusal to play, from your grey timid life? How else but by a stroke of luck that carried you with it? What game were you playing, what game was playing you? What did you find as you played, as you renewed your search for luck? You crossed a line and found something that was searching for itself. When you got lucky luck played its game with you, without you. You got lucky: you were ruled by a game that didn’t know its own rules. You got lucky: your luck ran through your fingers…

Here’s the gift

I’m not one these self-centred, genius, driven characters who wake up and… I’m more like a slug, I’m more like a very slow, easy creature. I really don’t want to do anything. I wake up in the morning and just want to lie in bed three or four more hours. There’s nothing I want to do. In fact, even going to the typewriter… as I walk toward it I realize I must be a writer because I made money at it… I don’t even like the look of the typewriter. Sometimes I stay away from it for days because it seems like jobs I used to have. The minute I sit down to the damn thing and have half a bottle of wine, things start coming and the words starts popping up, you know like popcorn kernels, pop pop pop. So for me there’s no egocentric… I’m not doing it, something’s doing it to me. I walk into it and here’s the gift.

Bukowski

An uncanny empathy broods above these zoomorphs, and invests them with more of their creator’s soul than all but a few human characters receive. So a child, cowed and bored by the world of human adults, makes companions of pets and toy animals.

— From John Updike’s introduction to Schocken Books’ Franz Kafka: The Complete Stories

Against nature

Something went wrong when I turned up. What was supposed to happen seamlessly happened like a break. What usually happened didn’t happen and that was what defined it: as something that failed to happen, that broke apart instead of coming together, or broke apart the instant it came together. I turned up too suddenly, or you hadn’t been prepared well enough, eighteen years later I still know as much as you do, that’s to say nothing. We’re reduced to a series of empty images: the foundations hadn’t been laid, the ground was barren and cracked. Nothing could be built from my words, the seeds wouldn’t take root. Words, words, words, that’s all we became. I botched up the experiment, like Frankenstein, or the guy in The Fly.

My arrival

My arrival in the year it all went wrong opened up a space between us, between us and the world, between everything. I arrived in the manner of a rupture, a break that made all your previous breaks, not in themselves dangerous, look like child’s play. I didn’t grow out of you in the slow natural way, wasn’t that the problem? I made you cryptic, though I was sent to make you straight, and you in turn made me cryptic. We still don’t know what we’re talking about, we don’t know anything. My words didn’t take root, didn’t root you to the world. So we both became my words, each in our own warring way. Do we even know who’s who? Do we even know whose words these are? Yet there’s something to be said for that break after all, we have to think this because we can’t think otherwise, we have to think this to stay sane, there’s something to be said for breaking open, being broken open, leaving yourself open, being left open, like an open wound.