Qualifications

The decisively characteristic thing about this world is its transience. In this sense centuries have no advantage over the present moment. Thus the continuity of transience cannot give any consolation; the fact that new life blossoms among the ruins proves not so much the tenacity of life as that of death. If I wish to fight against this world, I must fight against its decisively characteristic element, that is, against its transience. Can I do that in this life, and, what is more, really and not only by means of hope and faith?

And so you want to fight against the world and, what is more, with weapons that are more real than hope and faith. There probably are such weapons, but they can be recognized and used only by those who have certain definite qualifications; I want to see first whether you have these qualifications.

Look into it. But if I have not got them, perhaps I can get them.

Certainly, but that is a matter in which I could not help you.

And so you can only help me if I already have the qualifications.

Yes. To put it more precisely, I cannot help you at all, for if you had these qualifications, you would have everything.

– Kafka, The Blue Octavo Notebooks (tr. Kaiser and Wilkins)

The commandment of eternity

I should welcome eternity, and when I do find it I am sad. I should feel myself perfect by virtue of eternity – and feel myself depressed?

You say: I should – feel. In saying this do you express a commandment that is within yourself?

That is what I mean.

Now, it is impossible that only a commandment is implanted in you, in such a way that you only hear that commandment and that nothing more happens. Is it a continual or only an occasional commandment?

As to that, I cannot be sure. I believe, however, it is a continual commandment, but that I hear it only occasionally.

From what do you draw that conclusion?

From the fact that I hear it, as it were, even when I do not hear it, in such a way that, although it is not audible itself, it muffles or embitters the voice bidding me do the other thing: that is to say, the voice that makes me ill at ease with eternity.

And do you hear the other voice in a similar way when the commandment of eternity is speaking?

Yes, then too, indeed sometimes I believe I hear nothing but the other voice and everything else seems to be only a dream and it is as though I were just letting the dream go on talking at random.

Why do you compare the inner commandment to a dream? Does it seem senseless as a dream, incoherent, inevitable, unique, making you happy or frightening you equally without cause, not wholly communicable, but demanding to be communicated?

All that – senseless; for only if I do not obey it can I maintain myself here; incoherent, for I don’t know whose command it is and what he is aiming at; inevitable, for it finds me unprepared, descending upon me as surprisingly as dreams descend upon the sleeper, who, after all, since he lay down to sleep, must have been prepared for dreams. It is unique, or at least seems to be so, for I cannot obey it, it does not mingle with reality, and so it keeps its immaculate uniqueness; it makes me happy or frightens me, both without cause, though admittedly it does the first much more rarely than the second; it is not communicable, because it is not intelligible, and for the same reason it demands to be communicated.

— Kafka, The Blue Octavo Notebooks (tr. Kaiser and Wilkins)

Job interviews

Job interviews, X tells me, that’s what we need! The more important and professional the better. A round table of influential men and women in business suits, severity and seriousness, that’s what we need. Job interviews every day! Or maybe we could get them to install some kind of CCTV system, he says, then we could just stay at home, then they could see it for themselves, without our bullshit. To live in the public eye, he says, twenty-four hours a day, like they used to live under God’s eye, that’ll teach us, that’ll straighten us up. Or we could go on one of those shows, he says, imagine us trying to present a serious business proposal!

Out

So I kind of put myself in a trance, and nobody could get through to me for hours on end. I’d just sit there staring into the distance and they gave me a Seconal and put me in a private cell that night, and the next day I was transferred to the neuro-psychiatric ward. So it was kind of a tricky business, trying to keep from getting the shock treatment and at the same time getting what I wanted, which was out.

Chet Baker

Life-giving death

Will I have to have the courage to use an undefended heart and go on speaking to nothing and no one? as when a child thinks about nothingness. And to run the risk of being crushed by chance. I don’t understand what I saw. I don’t even know if I saw it, since my eyes ended up not being separate from what I saw. Only in an unexpected rippling of the lines, only in an anomaly of in the uninterrupted continuity of my culture did I for an instant experience life-giving death. That purified death that made me sort through the forbidden weft of life. Saying the name of life is forbidden. And I almost said it. I almost couldn’t disentangle myself from its weft, which would have been the destruction of my age inside me.

— Lispector, The Passion According to G.H. (tr. Sousa)

Do you really hate your own novels?

Q. Do you really hate your own novels?

A. Yes! I hate them. I mean that. Nobody believes me, but it’s true. They’re an embarrassment and a deep source of shame. They’re better than everybody else’s, of course, but not good enough for me. There is a great deal more pain than pleasure in writing fiction. It’s only now and then, maybe once every three or four days, that I manage to write a sentence in which I hear that wonderful harmonic chime that you get when, say, you flick the edge of a wine glass with a fingernail.

John Banville

It’s hard to lose oneself

Am I disorganised because I have lost something I didn’t even need? In this new cowardice of mine – cowardice is what has happened to me most recently, my greatest adventure, it is so wide a field that only great courage enables me to accept it – in my new cowardice, which is like waking up in the morning in a stranger’s house, I don’t know if I’ll have the courage simply to set out. It’s hard to lose oneself. So hard that I’ll probably soon work out a way to find myself, even if finding myself is again the lie that I live on.

— Lispector, The Passion According to G.H. (tr. Sousa)

Distraction

When I started reading I found I couldn’t read properly: the sound of a car outside made me imagine the driver and where he or she was going, an overheard word made me think of some old conversation, which returned me to the words on the page and made me turn the page back and forth. When I started writing I found I couldn’t write properly: I’d get distracted by the movements of the pen in my hand and the ink marks on the page, or the cooing of a pigeon, which made me turn the page back and forth. Reading and writing themselves became distractions, as I suppose they had been from the beginning, parts of the long, drawn-out distraction that was my life.

Disorganisation

I keep looking, looking. Trying to understand. Trying to give what I have gone through to someone else, and I don’t know who, but I don’t want to be alone with that experience. I don’t know what to do with it. I’m terrified of that profound disorganisation. I’m not sure I even believe in what happened to me. Did something happen, and did I, because I didn’t know how to experience it, end up experiencing something else instead? It’s that something that I’d like to call disorganisation, and then I’d have the confidence to venture forth because I would know where to come back to: to the prior organisation. I prefer to call it disorganisation because I don’t want to ground myself in what I experienced – in that grounding I would lose the world as it was for me before, and I know that I don’t have the capacity for another one.

— Lispector, The Passion According to G.H. (tr. Sousa)

Like a beast

I’m something quite different, a quite different thing, a wordless thing in an empty space, a hard shut dry cold black place, where nothing stirs, nothing speaks, and that I listen, and that I seek, like a caged beast born of caged beasts born of caged beasts born in a cage and dead in a cage, born and then dead, born in a cage and then dead in a cage, in a word like a beast.

— Beckett, The Unnamable