Shifts

‘Sometimes a small shift seemed to change everything like night to day. Some turn of direction or a modulation of frequencies. What was revealed then, what new view opened up? But it wasn’t quite a question of revelation, more like a possibility actuated and so trailing new possibilities behind it. I’d turn my head and see something I’d sensed all along, or it would see me. Those changes made a gentle mockery of me when I put myself in a position to receive them.’

Gardening

Such inertia and void as never before. I remember an entry in Kafka’s diary. ‘Gardening. No hope for the future.’ At least he could garden. There must be words for it. I don’t expect ever to find them.

— Beckett, letter (in Knowlson, Damned to Fame)

Flitting

‘I got busy for lack of anything else or better to do, because I had to. I still couldn’t read, so I started making plans. I picked a place to move to. I’d move to the other side of the country, from one coast to another. That would keep me busy until I’d have to make another plan. It was a question of having a plan and staying busy. I worked, and in between I started packing all my shit, gave some away, sold what I could, walked around with wads of cash in my pocket. I biked here and there, ran odd errands, called people, carried bags across town with sweat running down my head, bought train tickets, arranged viewings, took notes, made and remade lists, called more people, put things in piles, taped up boxes, stayed busy and moved the line forward every day. I flitted about on the outskirts of the hole, around my fear of the hole, my fear of nothing, which still pulled me into itself from to time. I took my pills, drank my wine and stayed busy. It was all about having a plan and keeping busy. I couldn’t think much beyond the next practical task, and that was how it had to be, I supposed, that was how people lived, how they got through life without topping themselves.’

The great event

It’s going to happen very soon. The great event which will end the horror. Which will end the sorrow. Next Tuesday, when the sun goes down, I will play the Moonlight Sonata backwards. This will reverse the effects of the world’s mad plunge into suffering for the last 200 million years. What a lovely night that will be. What a sigh of relief, as the senile robins become bright red again, and the retired nightingales pick up their dusty tails and assert the majesty of creation.

— Leonard Cohen, ‘The Great Event’

The current

‘Sometimes things came together when you needed it, even when things seemed to go wrong. Sometimes things went wrong in order to come together. There was a current beneath acts and events that could carry you or turn against you. When it found me, or when I found it, and it brought me towards other people, I called it grace, in the old style.’

A different direction

‘In the days that followed I realised I knew even less than before. Less than nothing. I knew had to reject what had brought me there and build something new, but how do you build on nothing? That’s not right either. It wasn’t a question of having the power to reject or rebuild. It was as if the deserting force that had brought me to this non-place knew what would happen all along and was still putting my thoughts in question. It was rejecting me, rejection was its nature. But sometime later I crossed a line and took a different direction as the storm somehow drifted behind me.’

Impotence and joy

It is dreadful, the total spiritual impotence I suffer at this time, just because it is combined with a consuming longing, with a spiritual ardour – and so without form that I don’t even know what it is I am missing.

*

There is an indescribable joy that is kindled in us just as inexplicably as the apostle’s unmotivated exclamation: ‘Rejoice and again I say, Rejoice’. —Not a joy over this or that, but a full-bodied shout of the soul ‘with tongue and mouth and from the bottom of the heart’: ‘I rejoice in my joy, of, with, at, for, through, and with my joy’ — a heavenly refrain which suddenly interrupts our other songs, a joy which like a breath of air cools and refreshes, a puff from the trade winds which blows across the plains of Mamre to the eternal mansions.

— Kierkegaard, Journals (tr. A. Hannay)

The End of March

It was cold and windy, scarcely the day
to take a walk on that long beach
Everything was withdrawn as far as possible,
indrawn: the tide far out, the ocean shrunken,
seabirds in ones or twos.
The rackety, icy, offshore wind
numbed our faces on one side;
disrupted the formation
of a lone flight of Canada geese;
and blew back the low, inaudible rollers
in upright, steely mist.

The sky was darker than the water
–it was the color of mutton-fat jade.
Along the wet sand, in rubber boots, we followed
a track of big dog-prints (so big
they were more like lion-prints). Then we came on
lengths and lengths, endless, of wet white string,
looping up to the tide-line, down to the water,
over and over. Finally, they did end:
a thick white snarl, man-size, awash,
rising on every wave, a sodden ghost,
falling back, sodden, giving up the ghost…
A kite string?–But no kite.

— Elizabeth Bishop, from ‘The End of March’

To think means compromising yourself.

— Heidegger (via Michael Tweed)

Be ahead of all parting

Sei allem Abschied voran, als wäre er hinter
dir, wie der Winter, der eben geht.
Denn unter Wintern ist einer so endlos Winter,
Daß, überwinternd, dein Herz überhaupt übersteht.

*

Be ahead of all parting, as though it already were
behind you, like the winter that has just gone by.
For among these winters there is one so endlessly winter
that only by wintering through it will your heart survive.

— Rilke, from The Sonnets to Orpheus, II, 13 (tr. S. Mitchell)